Taylor James really pushes the technical limits of photo manipulation, turning amazingly creative ideas into a reality. Not only do these sets tell incredible stories, they're executing in a way that's nothing short of phenomenal.
PHENOMENAL HUMAN METAMORPHOSIS BY TAYLOR JAMES
Taylor James really pushes the technical limits of photo manipulation, turning amazingly creative ideas into a reality. Not only do these sets tell incredible stories, they're executing in a way that's nothing short of phenomenal.
PUSHPIN ART BY ERIC DAIGH(18 PICS)
michigan-based portraitist eric daigh has broadened his 'pushpin' series with two new pieces entitled 'mayday' and 'throwing blankets'.
the artist creates large-scale artworks, often depicting faces, using thousands of meticulously arranged colored tacks as the chief medium.
the pieces are generated to achieve shading, toning and depth reminiscent to that of a photograph, however, this can only be seen in a
clearer resolution when viewing the work from further away, as each pin acts much as pixel would.
daigh's philosophy behind each piece is a reflection on his understanding of identity:
'in my work I aim to explore themes of individuality and representation. my subjects are imprisoned, diluted, marginalized.
their escape, however, is imminent.whether a symptom of corporate and social homogenization, or the four base pairs of DNA,
we are products of just a small handful of variables. in five colors of plastic, you can be reproduced.
I enjoy very much making something digital with my hands. I enjoy making work that requires a physical proximity.
I enjoy the fact that this work travels from the intangible, the binary, to the tactile, the singular. by invoking these mediums,
I hope to generate a dialogue and sentiment that has something to do with the effort, repetition, focus, discipline, absurdity,
and love that went into its making.'
the artist creates large-scale artworks, often depicting faces, using thousands of meticulously arranged colored tacks as the chief medium.
the pieces are generated to achieve shading, toning and depth reminiscent to that of a photograph, however, this can only be seen in a
clearer resolution when viewing the work from further away, as each pin acts much as pixel would.
daigh's philosophy behind each piece is a reflection on his understanding of identity:
'in my work I aim to explore themes of individuality and representation. my subjects are imprisoned, diluted, marginalized.
their escape, however, is imminent.whether a symptom of corporate and social homogenization, or the four base pairs of DNA,
we are products of just a small handful of variables. in five colors of plastic, you can be reproduced.
I enjoy very much making something digital with my hands. I enjoy making work that requires a physical proximity.
I enjoy the fact that this work travels from the intangible, the binary, to the tactile, the singular. by invoking these mediums,
I hope to generate a dialogue and sentiment that has something to do with the effort, repetition, focus, discipline, absurdity,
and love that went into its making.'
GEOMETRIC FOOD ART, PHOTO PROJECTS BY ŞAKIR GÖKÇEBAĞ(15 PICS)
Turkish artist Şakir Gökçebağ has skillfully re-imagined the idea of food through his series of artworks, where he arranges and organizes various fruits and vegetables into patterns to create striking visual displays. The pieces are not interfered with the use of digital manipulation – however combine meticulous orchestration of the organic forms with photography to create straight lines and perfect circles – geometry not found in the natural world. From watermelons to the humble green bean, Gökçebağ has designed structure with an unlikely medium.1((
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